The Chad and Rob Show

Snow Leopard Digital Classroom

2009-10-27T21:34:00.003-04:00

Hello there!

Wow! It's been a while since my last post and I'm not going to bore you with my excuses or my promises to be better about posting to my blog more regularly, but… I do plan on posting to my blog more regularly! This post is to announce the release of my first official book. The Mac OS X Snow Leopard Digital Classroom. It's been a lot of work and has taken longer than I thought it would but it's finally available at all of the major booksellers.

About the book

I wrote this book as a companion for people who've recently purchased a mac whether they be a new Mac user (switcher) or simply are upgrading to a new computer. I often hear from people who are frustrated because they don't feel comfortable using a their computer or want to know more about their computer and what they can do with it.

The book covers new features of Snow Leopard (Mac OS X 10.6) as well as features that have been available in the Mac OS for several versions. It's a nuts-to-bolts how to book that walks you through lessons step-by-step as if I were sitting there next to you. If you want to know how to back up your computer or how the new Quicktime player can help you edit your video or how to set up your e-mail account or how to take advantage of the new version of the Safari web browser, this book is for you!

I hope you enjoy it and please recommend it to your friends. I encourage everyone to go to Amazon.com and post a review of the book. I also encourage your comments here on the blog, I'm anxious to hear what you think.

Until next time!

Cre8 2009 - A great time!

2009-04-19T07:17:00.008-04:00

Well, I'm sitting here at the Orlando International Airport and thinking back to the past week and about the events that took place. It was great to see familiar faces from Cre8 (and PDF Conferences) of past years and it was also great to meet new people who were attending for the first time.

I presented five sessions this year, all on different aspects of Adobe InDesign CS4.

Master All that InDesign has to offer

Repurposing Content in InDesign using XML

Improving Editorial Workflows with InDesign and InCopy

Taking Advantage of Styles in InDesign

InDeisgn Take it to the Max!

I think the sessions went really well and there were a ton of great questions from enthusiastic attendees looking for answers to existing problems and looking for newer, more efficient ways of getting things done in InDesign.

The conference wasn't all work and no play mind you. There were several meet and greets at the end of each day and there was an abundance of meeting and greeting going on!

I'm once again hoping to improve the frequency with which I post to this blog in hopes of answering questions both basic and advanced that can help people work better and smarter in InDesign and other Creative Suite applications. I'm going to push Rob to do the same as well. I think in the past I wanted every post to be a complex, problem-solving, and in-depth post but have realized that small tips and tricks could be just as valuable. That's not to say that I'm forgoing any detailed posts… I've just decided to mix it up a bit.

I encourage your comments! As a matter of fact I depend on them. Your questions and comments will help me to create interesting and valuable posts that will appear on this blog. Send your ideas! Tell us what you think! We look forward to hearing from and seeing you all in the future. Thanks again for a great conference!

chad

Digital Classroom Series

2008-11-07T20:29:00.008-05:00

Hello All!

Adobe's recent announcement and current shipment of CS4 is exciting news! My previous post included my favorite features of InDesign CS4 and I'm sure everyone has heard news and maybe have even seen some of the new features of CS4.

I'm happy to announce that there is a new series of books that have been co-written by Chad and Rob that can help you get up to speed with CS4 fast. The Digital Classroom Series of books includes titles for many Adobe applications including InDesign, Photoshop, Illustrator, Dreamweaver, and Flash. The books are written as if you were sitting in the room with one of us instructing you! The books include a DVD with lesson files that are used as you are guided step-by-step through the new features of CS4. Below are links to the Digital Classroom titles and we encourage you to give them a try. I think you'll find them extremely helpful and encourage your feedback here at our blog and on Amazon.com. Until next time!

InDesign CS4 Digital Classroom
Illustrator CS4 Digital Classroom
Photoshop CS4 Digital Classroom
Dreamweaver CS4 Digital Classroom
Flash CS4 Professional Digital Classroom

My Top Righteous CS4 Features!

2008-09-26T11:03:00.023-04:00

I'm sure this isn't the first post of it's nature and it certainly wont be the last. But my good friend Brenda over at ineedchocolate.com asked me if I would compile my top ten new features of CS4. I've also received several requests from clients to do the same. I'll start with InDesign and follow up with posts on the other applications. This is by no means a comprehensive list, it's just some of my favorite features at a glance so here goes.

InDesign
GREP styles - Everyone knows by this point how much of a GREP freak I am and now in CS4 you can actually apply GREP commands within a style. For instance I can tell every instance of a word or words that appear within parentheses to format as italic automatically! This is beyond nested styes, this is something that people have been asking about for several versions now. A huge benefit to anyone working with longer documents.

New Zoom Feature - I've always kind of liked the Navigator panel in previous versions of InDesign, but I have to admit, I rarely used it. InDesign CS4 in some ways integrates the navigator into the InDesign interface. If you have the hand tool selected, you can click-and-hold for a second and it zooms out so you can see your entire document and you get a red rectangle like in the old Navigator panel that allows you to move to a different part of your document and then when you release the mouse button, it zooms back in on that area. I like this implementation and think I'll be using it a lot!

Smart Guides - This features applies to both InDesign and Illustrator actually, but the new smart guides feature in both programs has been significantly improved. Their actually smart now! They aren't as obtrusive as smart guides in previous versions of illustrator and they actually work very well. You can position items on your page and it shows you spacing details, sizing details (if you're scaling), and of course positioning details relative to other objects on your page. This will eliminate several trips to the Align panel in both programs.

Application Frame - This applies to all CS4 programs and only really affects Mac users. They've added the application frame that puts a solid gray background behind your documents so you don't see your desktop while you are working. It's completely optional so don't worry! I rarely like features that mimic the Windows version of anything however it always annoyed me that my cluttered desktop was always looming in the background of documents that I was working on. I find this a welcome addition.

Dynamic Preflighting - While working on an InDesign document you now get an active preflight status in the lower-left corner of the screen, making you aware of any potential issues that appear within your document. In addition, you can now create preflight profiles that control what InDesign looks for and considers a problem. The preflighting is much more robust than it was in previous versions. Still not a full-featured preflight program, but significantly improved!

Rotate Spread View - You can now rotate the view of individual spreads in a document to make it easier to work on. For instance, when you have that brochure that has a tear-off panel and the content is rotated. You can simply rotate that page to make it easier to work on!

Nested Line Styles - This one is really cool! You can now apply formatting to text in the nested styles section to lines of text within a paragraph. For instance, maybe you wanted the first two lines of a paragraph to appear in small caps. You can now do that in CS4!

Flash Export - Adobe continued it's push to integrate all of the applications in CS4. You can now export your documents to a flash .swf file that includes page transitions. This is a great way to get your feet wet with flash!

A Better Package

2008-08-22T07:23:00.028-04:00

Recently I was doing InDesign training for a client and after showing them the package feature, one of the students asked if there was an easy way to package multiple InDesign files so that the resulting package folder contained one each of the links and fonts folder so that you don't have one each of these folders for every InDesign file.

I had to think about this for a second and initially started thinking about potential third-party applications that may fit the bill. After a few minutes, I realized that InDesign has this feature built right in although it exists in an obscure panel that few people ever use.

The Book panel in InDesign is used to assemble multiple individual InDesign files into one cohesive book or magazine although we are going to use a very minute component of the book panel for our specific need.

The first step will be to create a new book by going to the File menu and choosing New > Book.

Next, click the + (plus) button at the bottom of the Book panel and select all of the InDesign documents that you'd like to package. If all of the documents reside in the same folder you can select multiple files by holding down the shift key to select contiguous files or the Command (Mac) or Control (Windows) key to select non-contiguous files. Otherwise, you may have to perform this step a few times to select all of your files.

Once all of your files have been added to the Book panel, you can click on the panel menu of the Book panel and choose "Package Book for Print." This will take you to the normal window that you see when you package files normally. Simply choose your options and InDesign will package all of them into the same folder with one tidy Fonts folder and one Links folder.

Now, any workaround always comes with a gotcha or two. In this case you probably noticed that when you add documents to the Book panel, InDesign wants to consecutively number the pages for you as in a typical book. If your InDesign documents do not contain automatic page numbering on the master pages, it won't affect much in your document at all except that the page numbers in the Pages panel will have changed. If your documents do contain automatic page numbering on the master pages, then the Book panel will have changed those numbers. Fortunately the fix is pretty easy. Simply open up each packaged InDesign file, select the first page of each document and reset the page numbers by going to the panel menu of the Pages panel and choosing Numbering and Section options and setting each document to start page numbering at 1. A bit of added work however it sure beats manually organizing several packaged InDesign files and merging the fonts and links folder in each one.

I'd love to hear everyone's comments on this post. Take care and I look forward to hearing from you!

Get a GREP! Part 3

2008-03-17T15:19:00.019-04:00

Alright! Time for the final post in this series of GREP techniques! What I've done is created a graphic inside of InDesign using various tools. The end result is a vector-based element and I've highlighted it using the Direct Selection tool so you can see the points on the path that make up the shape.

Although I created this within InDesign, it could just as easily be a placed vector graphic from Illustrator or even an image from Photoshop. This method will work regardless of what type of graphic you are using.

Next you'll need to click on the graphic with your Selection Tool (black arrow) and choose Edit>Copy. Now switch to your Type Tool and click in an area of text where you'd like the graphic to appear and choose Edit>Paste. You've just created an in-line graphic which is a graphic that acts like a piece of text within InDesign. What we're doing here is setting up one instance of the graphic the way we'd like it to appear in all of our frames and then we'll automate it using GREP.

The main advantage of an in-line graphic is that it will behave like a character of text and therefore will flow with the text whenever an edit is made anywhere within the text that could affect the in-line graphic. (whew!).

At this point you could simply run the GREP search as you did in the previous post because it is actually pasting the contents of the clipboard in the change to: field. That being said, I can never leave well enough alone so I'm going to take it one step further. I'm going to precisely adjust the position of that graphic by making it an anchored object.

Click on the in-line graphic with the Selection tool and choose Object>Anchored Object>Options from the menu at the top of your screen. In the Anchored Object Options dialog box, set the Position to Custom, set the X relative to anchor marker and the Y relative to baseline, and turn the Preview checkbox on and click OK.

Now, if you haven't worked with Anchored Objects before, this dialog box can seem a bit daunting (leave comments if you'd like this to be a future blog topic) but we're going to simplify it. After you clicked OK, your graphic probably jumped away from where you originally pasted it which is fine. Using your Selection tool simply drag the graphic back to where it was and position it the way you would like it to appear with your text. Now go back to Object>Anchored Object>Options and check the "Prevent Manual Positioning" checkbox and click OK. This prevents anyone from being able to drag the graphic manually once you've positioned it.

We're almost done here so stay with me! We want all of the end-it graphics to appear in the same position relative to the end of the text so with that graphic still selected with your Selection tool, go to your Object Styles panel and Alt/Option+click on the Create new style button at the bottom of the Object Styles panel. Call the style end-it, Click the "Apply Style to selection" checkbox and click OK. An object style will apply the positioning that was applied to the end-it graphic to any other graphic that you apply it to. VERY IMPORTANT! Click on the end-it graphic and you're end-it Object Style should be highlighted in the Object Styles panel. CHOOSE EDIT>COPY. This will copy the graphic with the Object style applied to the clipboard.

Now, let's jump back into the Find/Change dialog box and click on the GREP tab. We're literally going to run the exact same GREP search that we did in part 2! Because the graphic with the Object Style has been copied to the clipboard, the Change to: portion of the GREP search should also apply the formatting to the replaced character. Run the GREP search on the Document (not just the story) and your end-it character should appear at the end of every story! Now, if you don't want the end-it character to appear after every single story in your document, the trick is to apply Paragraph styles to your text. In the example document that I've been using, I created several Paragraph Styles for the captions, body, and headings. What this allows me to do is indicate which stories of text to apply the end-it character to. Click on the More Options button within the Find/Change dialog box and in the Find Format: Section, click on the "Specify Attributes to Find" button and then choose the Paragraph style that you want to restrict your search to. Click OK. Then click change all. You should now have an end-it character at the end of only the stories for which the appropriate Paragraph Style is applied!

Get a GREP! Part 2

2008-03-13T08:44:00.007-04:00

In my previous post you saw how easy it is to use GREP to put a character at the end of a story. Something like this would require a significant amount of time in the past and would also open up the potential for human error.

One problem with the method used in part one was the fact that the end-it character was entered into every single story within your document including captions and headlines. Probably not what you would want. One solution is to select only the frames on your page and then in the Find/Change dialog box, set the Search to Stories. This would put the character only inside of the frames that were selected. Useful for a single page but not in a longer document which would require you to select every frame on each page. Not to mention that you can't select items across pages in InDesign!

A much more robust solution involves the use of Paragraph Styles in your document. When I set up this document, I created several paragraph styles to apply formatting to the text. As you can see, I've created a Body, Caption, and Heading style.

Now, following the same steps as in part 1, go into the Find/Change dialog box and set everything as before. This time however, click on the More Options button in the upper-right corner of the dialog box to display additional options. If you see the Fewer Options button, you're already where you need to be. Click on the "Specify attributes to find" button in the Find Format section of the dialog box and in the Find Format Settings dialog box, choose Body or the style in which you want the end-it mark to appear. Click OK then click the Change All button. Voila! All of your end-it marks should appear in only the stories that contain that style. Sweet!

The Specify attributes to change button.

Keep checking back! In part 3 we'll perform this operation with an in-line graphic which is useful when the end-it mark isn't a font but an actual graphic that needs to be placed at the end of every article.

Get a GREP!

2008-03-12T08:36:00.018-04:00

Hi everyone, once again I apologize for taking so long to post another entry in here. Apologies aside, a few days ago Rob had a student e-mail a question about a way to add a character or image element to the end of every article in a document sometimes called a slug or end-it. Fortunately I have been spending a decent amount of time using GREP lately and with the help of renowned designer/trainer Michael Murphy, and a neat little video by David Blatner have figured out a solution to the problem!

First of all, what is GREP? Well, GREP stands for General Regular Expression Print. That's on the quiz by the way! Regardless of what it stands for, GREP is a pattern matching utility new in InDesign CS3 that allows you to perform complex find/change queries on text in your document that would have taken many many steps in previous versions and in other programs. GREP has been around for literally decades in the UNIX world and now creative professionals can make great use of this tool as well.

I'm going to begin with a basic InDesign document to demonstrate but this can work very easily in an entire document.

What I've done is created a basic page with a few stories to demonstrate. The first thing you need to do is go to Edit>Find/Change in InDesign to bring up the Find/Change window and click on the GREP tab at the top of the window. Now I looked high and low under the "Special Characters for Search" section to the right of the Find What field and couldn't find anything that allowed me to search the end of every story. However the regular expression that does this is .\Z. So in the Find What field, type (.\Z) - this is a capital Z and you need to include the parentheses. The parentheses will help us later on. After typing that text in the Find What field, click the find button several times and you'll see that you're cursor highlights the last character of every story in your document. Pretty cool!

Now, in the change to field you want to enter $1 and then the character that you'd like to insert at the end of each article. An easy way to do this is to set your character in a separate text frame to the size and font that you want to use. Then copy it to the clipboard. Now in the Change to: Field type $1 then click on the @ symbol to the right of the Change to field and choose Other>Clipboard Contents formatted. So you're Find/Change window should look like this:

The $1 basically takes what is in parentheses (the last character of your story) in the Find field and regurgitates it in the change so that you don't actually replace the found text. Click the change all button and you'll see that your character has been added to the end of every article in your document! If need be you can put a space after the $1 in the Change to: field so that a space is added in between the end of the story and the custom character.

That's all I have time for today, but tune back to see how you can do this with an in-line graphic and also how to contain the replacement to only certain stories in your text. Please post your comments we'd love to hear from you!

Quark 8 Christmas Wish List

2007-12-05T22:52:00.000-05:00

Just to be fair, there are many things I don’t like about a lot of programs — things that I just wish worked differently. Programs will always be a work in progress. Take Illustrator for example. How come every time I use the shortcuts for zoom it always zooms into the center of the document, regardless of what I have selected. That is just annoying.

I can only dream of a day where the program can think faster than me. 10 years ago that was a dream, but today it seems like a very near reality. Memory getting ever cheaper, faster and more capable. Hard drives are dirt cheap. That’s why I look forward to the software engineers catching up to the hardware’s capability.

Before I paint the picture of my dream of QuarkXPress 8, I want to first thank Quark for all the great features that QuarkXPress has, that InDesign does not. And an even bigger Thanks for all the great leaps Quark made in version 7.

Thumbnail Drag - This is the ability to look at two separate documents in thumbnail view and just drag as many pages as you like, to wherever you want in another document. And the elements appear exactly as they did in the previous document, as long as they are the same sized layout. Even in InDesign CS3, you can’t visually drag pages from one document to another.
Layouts within a Project - This one was ingenious! The ability to have different document sizes within one file. So far no other program has been able to match this one, other than the now-deceased FreeHand.
Job Jackets - Finally! At long last, a company like QuarkXPress has blazed the way for designers to take some kind of responsibility for what happens when documents are sent to the printer. It has given graphic departments a powerful tool to control what is being used in their documents.
Orthogonal Line Tool - I’m huge fan of this tool. Imagine a world where you no longer have to hold Shift to get a 45- or 90-degree line. Incredible! I leave my line tool set to this all the time.
Shared Content -There are so many levels of greatness to this one. From sharing a part of your workspace so someone else can work on part of your layout, to putting a live QuarkXPress document into another QuarkXPress document and skipping the task of making PDFs or EPSes, sharing both text and images, and making changes to those objects universally by changing one instance… In a lot of important ways this is more useful and more powerful than InDesign’s Object Styles.
Tool Presets - Set a tool’s preferences, and the tool will always work like that. Tools have a tendency to change in InDesign.
Borders - Frames (borders) are so easy in Quark! Command + B (Windows: Control + B) type a number, press Return (Windows: Enter) and you’re done. In InDesign, you have to enter a value into the Stroke panel, pray that you have a color, or then bring the stroke to the foreground, pick a color in the swatches panel, hop three times on one leg (just kidding). Never mind the fact that InDesign always aligns a stroke to the center. That means as you change the thickness of a border in InDesign, if you aligned the box to a guide, you have now broken past the guide and have an extra step of aligning the stroke to the inside - and then possibly having to rearrange everything inside the frame. Sorry if you can’t follow that… that’s just how complex InDesign is.
Measurements Palette - It is so nice to make just about any of the changes you would otherwise find in either the Format or Modify dialog box - directly in the Measurements palette. I’ve almost forgotten some of the shortcuts to get to some of these items, because I find myself using the Measurements palette more and more.
Drop Down Menus - Drop down menus off palettes in QuarkXPress 7 let you do things like make a paragraph style from your selected text, instead of going to Edit> Style Sheets. Or insert new pages from the Pages palette. This is a great enhancement from previous versions of QuarkXPress. Just click on the double-arrow at the top right of any palette.
Glyphs Palette/OpenType - In QuarkXPress 7 you have full use of OpenType Fonts and a handy Glyphs palette so you can view every character in a font, and save your favorites for easy reuse.
Transparencies - From drop shadows, to placing a transparent colored box over an image, these great features were added in QuarkXPress 7. I am so happy I no longer need to use Shadowcaster.
Full Resolution Preview - I can’t tell you how many editors looked over my shoulder while I was laying out pages in Quark 4 and remarked, “Those images look awful” - then I had to explain that these were low res previews. It was so nice to see Quark fix this issue in QuarkXPress 6, so that you could then turn on a Full Resolution Preview and truly see how the image would print.
Import and Edit Photoshop Files - Full-res previews of EPS, TIF, JPG, and even Photoshop files. Not only that: you can make major changes to those Photoshop files directly in the context of the page layout. This is unmatched by any other app.
Cutting & Pasting Images - Cutting and pasting an image from one existing picture box to another existing picture box is so easy in Quark. In InDesign this simple task requires at least 3 more steps.
Master Page Items - Thanks for not automatically locking items on Master pages. That’s an annoying default in InDesign.
Klingon Jabberwocky - I always jabber in Klingon. Why wouldn’t I? Anyone can Lorem Ipsum. One of the best little features in Quark. Just go to Preferences> Jabberwocky to change it from Latin to Klingon. Or English. Then change Prose to Verse. There’s nothing as funny as seeing Klingon in verse.
Measurements Palette - Shows image percentage all the time. No need for the Direct Selection tool like InDesign. For even more info, use Quark’s free XPert ImageInfo XTension (Window> XPert ImageInfo). Its window shows effective resolution after scaling, takes you directly to the image file on your hard drive, and much more.
Images - Working with images in InDesign is clunky. The whole Section Tool/Direct Selection tool is counter-productive. XPress has it right.
Text Controls - Most people don’t know it, but Quark copied the text formatting tools from Microsoft Word. (Same keyboard shortcuts, same names, same everything.) That way, even a Word user can format text in QuarkXPress. Try throwing a Word user into InDesign!
Customer Service - I never imagined myself saying this, but Quark’s customer service is awesome! They are friendly and courteous, I can understand them, and they always stay on the line until the problem is fixed.

Now for my wish list…

Dear Santa,

Please make sure the programmers at Quark print out this list and hang it in their office.

Option Drag - You should be able to hold down the Option key (Windows: Alt) and make a copy of anything in Quark. Badia has a free XTension for this, but it should just be built right in.
Bullets and Numbering - It’s about time Quark had this feature.
Item Content Tool Toggle - Double click the Item tool and it becomes the Content tool. And vice-versa.
Pen Tool - Shortcuts, shortcuts, shortcuts! Quark needs to add one feature to make its already superior pen tool to into a workhorse: you should be able to hold down the Option Key (windows: Alt key) to adjust one side of a control handle, so that you don’t have to go to a menu.
Fake Bold and Italic - And also Shadow and Outline. Get rid of them. They have no business being in an application of your stature. Leave that to Word. Just show the main font name and have another box under it that shows all the styles it contains.
Select all Unused Colors - Yes, your free XPert Tools has XPert FindChange, but it needs to be built into the application.
Zoom - Command + and - (Windows: Control + and -) for zooming in and out should work while you’re in a text box, not just at all other times.
Object Styles - To expand what I said above, just build the XPert Tools right into QuarkXPress 8. But enhance the ItemStyles feature by allowing paragraph styles to also be included. Or, better yet, in the Shared Content palette, allow another setting for both images and type that synchronizes content attributes only.
Apply Next Styles - Yes, I can make Next Styles, but I should also be able to apply them to selected text.
Eyedropper Tool - A tool that can sample colors, and can also copy and paste text attributes.
Quark Layouts in Layouts - You should be able to just import a Quark document into another Quark document and then the Collaboration Setup window should just pop up.
Composition Zones - There needs to be a way to bring a composition zone back into the page and break the link, not just break the link and have it appear as a separate Layout in the Project.
Table Styles - People use tables; let them save that table as a style so they can apply those attributes to the next table they import.
Document Presets - Your free XTension XPert PageSets lets me save a new document preset directly in the New Layout dialog box. Build it into the program.
Library - Library items should remember x y values. That way when you drag in a Library item it will always appear in the same spot is was in when you dragged it in. This way, instead of applying master pages for different layout setups, you could save different layouts in a library.
Nested Styles - The ability to nest Character styles inside of Paragraph styles.
Paths from Illustrator - Copy and paste from Illustrator and keep simple paths, or import an EPS that is still editable.
Map Word Styles - There should be more control in importing a Microsoft Word document. You should be able to map the Word styles to your Quark styles you want, regardless if they are named the same.
Clear Guides - Add clear guides right under guides in the menu.
Place Multiple Files - Pick more than one file and drop it into any existing frame.
Keyboard Shortcut List - Bring back the keyboard shortcut thing you can put above the keyboard and ship it with Quark 8.
Hidden Quark Alien - Expand the Quark alien animation. How about on the 6th time a bigger badder alien comes out and eats the other alien?
Vertically Justify Text - Let vertical justification on a text box work as expected, regardless of whether an item above it has a runaround assigned to it. And you’ll be one up on InDesign!
Fill the Frame - Add one more box-fitting option for pictures: Fill the box with the image and don’t stretch it - just let some hang out on the bottom or the right side.
Linking Text Boxes - Let me link text boxes that already have text in them.
Hanging Indent - Add a checkbox to the Tabs dialog box for making a hanging indent.
Build a Font - I’m really stretching on this one… Put a font builder right into Quark! I’m dreaming - but wouldn’t that be cool? There’s already a Kerning pair editor, so you’re part way there already.

Twas the night before the release of Quark 8…

And all the Graphic Artists were laying in bed with visions of a better pen tool dancing in their heads…

My Favorite "Little" Features in InDesign CS3

2007-11-20T07:30:00.000-05:00

InDesign is one of those programs that I depend on every day and although they added a lot of great new WOW! features into InDesign CS3, some of my favorites are the little things that they added that just make life a lot easier and take miles off of my mouse each day. Here are my favorite "little" features that have been added:

• InDesign CS2 allowed you to double-click on a text frame using the Selection Tool and it would automatically switch to the Type tool. InDesign CS3 now allows you to go back to the Selection Tool once your in the Type Tool by simply hitting the esc key on your keyboard. As a mac user, I now have a reason to use the esc key! It was getting lonely!

• Editing pictures works much the same way. If I double click on a graphic frame with my Selection Tool, InDesign CS3 automatically switches to my Direct Selection Tool. In the same respect, after I'm finished scaling an image with my Direct Selection tool, I can double-click and InDesign CS3 will switch back to my Selection Tool.

• This one has to do with Styles. It would always annoy me in prior versions of InDesign that when I would style some text and then create a new Character or Paragraph Style out of it, I would still have to manually apply that Style to the selected text. No longer! Now when you create a Style, there is a checkbox within the New Paragraph or Character Style dialog box called "Apply Style to Selection." This automatically applies your newly created style to the text that you have selected or are clicked inside of.

• Finally, it has become very apparent in InDesign CS3 that Adobe rewards your for having a big monitor! If you go to the Panel (flyout) menu in the Control Panel at the top of your screen there is a new feature called Customize. This dialog box allows you to control exactly what is displayed in your Control Panel. For those of us who don't have a huge screen, you can turn off some of the features that you don't regularly use so that the ones that you do use will appear up there. One of my often used buttons up there is the Fit content to frame button when you click on a text frame with the Selection Tool. If you don't have a large monitor it appears at first glance that it's gone! In reality, there just might not be enough room for it. Customizing your Control Panel will fix this problem. It works in reverse as well, you'll notice that if you do have a big monitor or at least have your screen resolution set fairly high, that paragraph formatting starts to show up in your Control Panel when you are viewing your Character Formatting options and vice verse!

Well those are just a few of my favorites. Enjoy!

Welcome

2007-11-16T09:30:00.000-05:00

Greetings All! Welcome to the Chad and Rob Show. This blog was created to share ideas, tips, tricks, workflow ideas, opinions and a whole lot more about design applications and related information. Rob and I have been working together for several years now and always thought that this would be a good way to share information that we know and have learned over the years. There is a good likelihood that there will not be a post every single day but we do hope to post one or two times a week. We encourage feedback and suggestions to content that you would like to hear about on this blog. We hope you all enjoy and we look forward to the upcoming posts!